(Source: goffgough)
The many identities of Stanley Tucci.
#if morgan freeman is god #then stanley tucci is jesus
Never have I seen a more accurate tag.
I didn’t even recognize him in The Lovely Bones!
waaaaiiit… he’s in Burlesque too right? oh yes he is.
“she stuck a bookmark
in my heart
and walked away”
(Source: jamima-puddle-duck)
(Source: lipgallagher)
How do you reign in the character’s eccentricity ? Well, I had to be prepared to let people dislike her at times because she’s a bit of a bitch, but at the same time, she’s gorgeous and she’s funny and she’s silly and you sort of feel for her. You kind of sense her confusion about who she is and her life. She’s very, very vulnerable, I think, underneath all of that stuff. I just had to work very, very hard. Sometimes I would say to Michel, “Let me know if I’m not going enough. Let me know if I’m going too far.” And more often than not, he would be pushing me further. I was so terrified of being over the top and he would just say, “No, no, no. More, more, more.” And I’d be like, “Really ?” He’d go, “Yeah, it doesn’t matter. Just do it, just try it.” That was fantastically liberating. When you do classical period films, you don’t get the opportunity to do that. It’s a more subtle approach.
(Source: kawaicandy)
- person: cursing isn't very ladylike you know.
- me: does it look like i give a fuck.
(Source: waiting-for-the-tardis)
“Knowing how you loved the birds
I fixed them to the trees
so they wouldn’t fly away.
So you would stay.
And you remained silent
and never questioned my bloody palms
or reproached me the birds
because they didn’t sing.”
(Source: br0ken--bird)
(Source: kathybethterry)
“Important works of art are active. They provoke different reactions depending on the viewer and they elude answers. On a practical level the work is an answer to a question that the artist has posed to himself, but it will only be a relevant answer if, on a fundamental level, the answer becomes a new question.”
Jan Svenungsson : ‘The Writing Artist’, in ‘Art & Research - A Journal of Ideas, Contexts and Methods’, Vol.2 No.2, Spring 2009
Thanks to yama-bato
(via chagalov)
“Insanity is relative. It depends on who has who locked in what cage.”
